Mon Oct 27, 2014 1:58 pm
Blackmagic Design today announced that O2 Filmes is using several Pocket Cinema Cameras as the lead cameras to shoot TV Globo’s new hit comedy “Lili, a Ex.” On set ingestion is being done by White Gorilla and all color correction for the show is being completed using DaVinci Resolve by O2 Post.
The show, “Lili, a Ex” (Lili, the Ex), is based on the popular comic strip by Caco Galhardo, which tells the story of Lili whose main goal in life is to torment her ex husband Reginaldo. Brazil’s O2 Filmes and O2 Post are handling production and post production for the show, which airs across South America as part of TV Globo’s GNT cable programming.
With “Lili a Ex,” O2 is faced with the need to produce the highest quality programming and create a show that captures the unique look and feel that has made the comic strip so popular. Each of the season’s 13 episodes has just four weeks to be shot and completed, and each episode is shot in CinemaDNG RAW with the goal of maintaining a Super 16 cinematic look throughout the entire show. For O2, the Pocket Cinema Camera fits perfectly into its workflow, enabling them to record in CinemaDNG RAW and capture the show’s desired Super 16 look with just one piece of equipment.
For more information, please visit: https://www.blackmagicdesign.com/press/ ... seID=62016.
The show, “Lili, a Ex” (Lili, the Ex), is based on the popular comic strip by Caco Galhardo, which tells the story of Lili whose main goal in life is to torment her ex husband Reginaldo. Brazil’s O2 Filmes and O2 Post are handling production and post production for the show, which airs across South America as part of TV Globo’s GNT cable programming.
With “Lili a Ex,” O2 is faced with the need to produce the highest quality programming and create a show that captures the unique look and feel that has made the comic strip so popular. Each of the season’s 13 episodes has just four weeks to be shot and completed, and each episode is shot in CinemaDNG RAW with the goal of maintaining a Super 16 cinematic look throughout the entire show. For O2, the Pocket Cinema Camera fits perfectly into its workflow, enabling them to record in CinemaDNG RAW and capture the show’s desired Super 16 look with just one piece of equipment.
For more information, please visit: https://www.blackmagicdesign.com/press/ ... seID=62016.