Blackmagic Forum

Posted: **Tue Oct 04, 2016 6:13 am**

Shot this on the Pocket during my stay in Kenya:

Shot in RAW with Panasonic 45-150mm
All handheld with some post-stabilization in Premiere
Edited and graded in Resolve

Posted: **Tue Oct 04, 2016 6:39 am**

Heres a collection of clips for my latest showreel, pretty much everything here was BMCC except for the aerial shots. Still so much life in this camera.

Posted: **Tue Oct 04, 2016 6:54 am**

Daniel Alexander wrote:Heres a collection of clips for my latest showreel, pretty much everything here was BMCC except for the aerial shots. Still so much life in this camera.

Who needs an Ursa! Great work mate. I really like my BMCC, unfortunately the big issue for me is the moire and poor colour rendition at warm kelvins

Posted: **Tue Oct 04, 2016 6:57 am**

Jon O'Neill wrote:
Daniel Alexander wrote:Heres a collection of clips for my latest showreel, pretty much everything here was BMCC except for the aerial shots. Still so much life in this camera.

Who needs an Ursa! Great work mate. I really like my BMCC, unfortunately the big issue for me is the moire and poor colour rendition at warm kelvins

Thanks Jon,
The Moire, in the early days of owning the camera was almost a deal-breaker, but I guess after a while it just becomes second nature on avoiding it. Hardly every crops up now.

Posted: **Tue Oct 04, 2016 9:45 am**

Daniel Alexander wrote:
Thanks Jon,
The Moire, in the early days of owning the camera was almost a deal-breaker, but I guess after a while it just becomes second nature on avoiding it. Hardly every crops up now.

Yeah I found workarounds, have been shooting everything with a 1/8 Black pro mist recently. And was very close to buying an OLPF from this guy www.rawlite.com (Amsterdam based)

Posted: **Tue Oct 04, 2016 10:12 am**

I'll have to check the pro mist filter out, I've yet to use one yet. How you finding it?

Posted: **Tue Oct 04, 2016 10:23 am**

Daniel Alexander wrote:I'll have to check the pro mist filter out, I've yet to use one yet. How you finding it?

Yeah I'm a fan, 1/8 is barely noticeable, so doesn't really add a look as such, just takes the edge off the digital image. Highlights can bloom though with the filter. 1/4 is noticeable and a definite look.

Posted: **Tue Oct 04, 2016 10:28 am**

Jon O'Neill wrote:
Daniel Alexander wrote:I'll have to check the pro mist filter out, I've yet to use one yet. How you finding it?

Yeah I'm a fan, 1/8 is barely noticeable, so doesn't really add a look as such, just takes the edge off the digital image. Highlights can bloom though with the filter. 1/4 is noticeable and a definite look.

I may have to invest in one. I'm never a fan of baking in a look via a filter but if the 1/8 just takes the edge off, might be my next purchase.

Posted: **Tue Oct 04, 2016 11:07 am**

Daniel Alexander wrote:
I may have to invest in one. I'm never a fan of baking in a look via a filter but if the 1/8 just takes the edge off, might be my next purchase.

I've got a Formatt 1/8, but tiffens here:

Posted: **Tue Oct 04, 2016 11:12 am**

Oh yes, almost forgot about this video. Thanks Jon

Posted: **Thu Oct 06, 2016 4:15 pm**

Shot this on my BMCC 2.5k mft with the Sigma Art 1.8 18-35mm

Posted: **Sat Oct 08, 2016 4:53 pm**

Davi Silveira wrote:Shot this on my BMCC 2.5k mft with the Sigma Art 1.8 18-35mm

GREAT EDIT!
love the transition from B/W to Color, and the music fit really well.

Posted: **Sat Oct 08, 2016 4:57 pm**

Daniel Alexander wrote:Heres a collection of clips for my latest showreel, pretty much everything here was BMCC except for the aerial shots. Still so much life in this camera.

holy cow, those shots looked amazing!
Did you do the coloring as well? OUTSTANDING skin tones.

Posted: **Mon Oct 10, 2016 12:52 pm**

Adam Langdon wrote:
Daniel Alexander wrote:Heres a collection of clips for my latest showreel, pretty much everything here was BMCC except for the aerial shots. Still so much life in this camera.

holy cow, those shots looked amazing!
Did you do the coloring as well? OUTSTANDING skin tones.

Thank you Adam,
I did all the colouring yes, all in DaVinci Resolve.

Posted: **Tue Oct 11, 2016 1:28 pm**

bumper video i did.
Original score as well!

(visual effects by a co-worker)

Posted: **Tue Oct 11, 2016 2:59 pm**

Adam Langdon wrote:https://vimeo.com/186413850

bumper video i did.
Original score as well!

(visual effects by a co-worker)

Why is she so mad? It's not like she doesn't have a MacBook. I'd be like, "hey! I have a MacBook! Soccer practice? No problem. I can bring my MacBook!" So, she clearly shouldn't be so mad.

And the video looks f#$%^& stellar, btw.

Posted: **Tue Oct 11, 2016 2:59 pm**

Davi Silveira wrote:Shot this on my BMCC 2.5k mft with the Sigma Art 1.8 18-35mm

That's really great!

Posted: **Tue Oct 11, 2016 3:00 pm**

Daniel Alexander wrote:Heres a collection of clips for my latest showreel, pretty much everything here was BMCC except for the aerial shots. Still so much life in this camera.

Just shows what production design and vision can do when combined with the appropriate tools. Good, good stuff.

Posted: **Tue Oct 11, 2016 4:13 pm**

Adam, I know hindsight is 20/20, but think how great that last shot would be if we saw she was using a Samsung Galaxy Note 7 (and had to set it down as she felt the battery overheating)!

What you have though is very good.

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Posted: **Tue Oct 11, 2016 5:59 pm**

Yes, this "poor" woman needs a break! :roll:

Nicely done Adam.

Posted: **Tue Oct 11, 2016 8:17 pm**

haha, right on, guys.
The context of the video was "I Quit Complaining" about all the things she deals with.

Posted: **Wed Oct 12, 2016 3:59 pm**

Jason R. Johnston wrote:
Daniel Alexander wrote:Heres a collection of clips for my latest showreel, pretty much everything here was BMCC except for the aerial shots. Still so much life in this camera.

Just shows what production design and vision can do when combined with the appropriate tools. Good, good stuff.

Thanks Jason

Posted: **Wed Oct 12, 2016 9:53 pm**

Adam Langdon wrote:
Davi Silveira wrote:Shot this on my BMCC 2.5k mft with the Sigma Art 1.8 18-35mm

GREAT EDIT!
love the transition from B/W to Color, and the music fit really well.

Jason R. Johnston wrote:
Davi Silveira wrote:Shot this on my BMCC 2.5k mft with the Sigma Art 1.8 18-35mm

That's really great!

Thank's guys, I'm glad you liked it. It was a fun little project to work on.

Posted: **Thu Oct 13, 2016 8:56 am**

Daniel Alexander wrote:Heres a collection of clips for my latest showreel, pretty much everything here was BMCC except for the aerial shots. Still so much life in this camera.

Man so many nice shots, great work! Coudn't agree more with what somebody else posted recently - I think I'll never sell/give away my BMCC... love this camera

Posted: **Fri Oct 14, 2016 12:22 pm**

Hello the community, here is my new piece of work, part of a bigger project called "Out of Stage Project". I work on it since 5 years with dancers all around Europe and the world.
Ursa Mini 4,6 UHD ProRes 4.2.2 in 24 & 60 FPS :

If you are curious, you can check also the photographic project here : http://deyan-parouchev.com/gallery/out- ... e-project/

Posted: **Fri Oct 14, 2016 8:16 pm**

Soeren Mueller wrote:
Daniel Alexander wrote:Heres a collection of clips for my latest showreel, pretty much everything here was BMCC except for the aerial shots. Still so much life in this camera.

Man so many nice shots, great work! Coudn't agree more with what somebody else posted recently - I think I'll never sell/give away my BMCC... love this camera

Thanks Soeren. Yeh still one of my fav cams.

Posted: **Fri Oct 14, 2016 11:53 pm**

Deyan, marvellous work! Superb editing.

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Posted: **Tue Oct 25, 2016 3:32 am**

Clown Liberation Army

Our latest Halloween short. Shot with Ursa Mini 4.6K. Rokinon Cine 85mm T 1.5. Tokina 11-16mm f2.8. Prores UHD. Graded in Resolve. Edited in Premiere Pro CC.

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Posted: **Tue Oct 25, 2016 6:26 pm**

Thanks, Norman. "Only 12% are registered sex offenders." Given that possibly one in eight crimes are reported, the bad news is that could imply 96% of clowns are sex offenders. The good news is 4% teach Sunday School.

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Posted: **Tue Oct 25, 2016 6:47 pm**

rick.lang wrote:Thanks, Norman. "Only 12% are registered sex offenders." Given that possibly one in eight crimes are reported, the bad news is that could imply 96% of clowns are sex offenders. The good news is 4% teach Sunday School.
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Lol! I know! It's a sick piece created by seriously demented minds. But so much evil fun! We used to scare the hell out of each other when we were kids, making haunted houses etc. After all, Salem MA, home of the Salem witch trials is right down the street from me. Things definitely get a little spooky this time of year! Thanks for watching! You are a sport!

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Posted: **Wed Oct 26, 2016 3:23 pm**

Here's a little travel video I shot in Arizona/Utah last week. Blackmagic Pocket with a set of c-mount lenses : Kowa 8mm f1.4, CCTV 25mm f1.4 and Som Berthiot 17-85mm f3.5.
Enjoy!

Posted: **Wed Oct 26, 2016 5:42 pm**

M Chevigny: Patience rewarded!

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Posted: **Fri Oct 28, 2016 9:34 am**

This is a very short movie with birds in the nature.Its shooting with my ursa mini 4K, Canon 24-70 f2.8 II and Canon 70-200 f2.8 II lens, no ND filter. The aerial footage is do it with Phantom 3 Professional.

Posted: **Fri Oct 28, 2016 2:10 pm**

Hi guys, my Ursa Min 4.6K has just arrived: here are a test:

Posted: **Sun Oct 30, 2016 10:38 am**

Here is a wedding shot with bmpcc and a bmmcc. It's the first serious thing we film really but we had fun doing it. we learned to film, edit and color as we went so im sure its not hollywood content haha. but have a look if you want, and please let us know whatever you think we should work on!

we made subtitles in case someone wants to follow

Posted: **Mon Oct 31, 2016 5:32 pm**

Shot this last week on the UM 4.6k (4.6k ProresHQ), graded in Resolve mostly with James Lejeuene's great ACES-style LUT, keyed with Hawaiki Keyer in FCPX.

The camera, with firmware 4.0, performed like an absolute champ. Love this camera.

Posted: **Tue Nov 01, 2016 5:54 pm**

Took the 4.6k on a trip to northern Michigan.

Posted: **Wed Nov 02, 2016 8:54 pm**

Stephen Sawchuk wrote:Took the 4.6k on a trip to northern Michigan.

Nice film!

Posted: **Thu Nov 03, 2016 12:27 pm**

Deyan Parouchev wrote:Hello the community, here is my new piece of work, part of a bigger project called "Out of Stage Project". I work on it since 5 years with dancers all around Europe and the world.
Ursa Mini 4,6 UHD ProRes 4.2.2 in 24 & 60 FPS :

If you are curious, you can check also the photographic project here : http://deyan-parouchev.com/gallery/out- ... e-project/

Loved this! that cross hatching pattern...really distracting in some shots.

Posted: **Fri Nov 04, 2016 6:42 pm**

Ben Mart wrote:
Stephen Sawchuk wrote:Took the 4.6k on a trip to northern Michigan.

Nice film!

Thank you very much, Ben!

Posted: **Sat Nov 05, 2016 1:44 am**

Darren Scott wrote:
Deyan Parouchev wrote:Hello the community, here is my new piece of work, part of a bigger project called "Out of Stage Project". I work on it since 5 years with dancers all around Europe and the world.
Ursa Mini 4,6 UHD ProRes 4.2.2 in 24 & 60 FPS :

If you are curious, you can check also the photographic project here : http://deyan-parouchev.com/gallery/out- ... e-project/

Loved this! that cross hatching pattern...really distracting in some shots.

Thank you Darren, but I don't see any cross hatching pattern ! Can you give me a precise timecode ?

Posted: **Sat Nov 05, 2016 5:45 am**

Deyan Parouchev wrote:
Darren Scott wrote:
Deyan Parouchev wrote:Hello the community, here is my new piece of work, part of a bigger project called "Out of Stage Project". I work on it since 5 years with dancers all around Europe and the world.
Ursa Mini 4,6 UHD ProRes 4.2.2 in 24 & 60 FPS :

If you are curious, you can check also the photographic project here : http://deyan-parouchev.com/gallery/out- ... e-project/

Loved this! that cross hatching pattern...really distracting in some shots.

Thank you Darren, but I don't see any cross hatching pattern ! Can you give me a precise timecode ?

Lovely piece. And Darren is totally right, your camera has the crosshatching issue. I can see it clearly at 1:17 into the video. Check the crosshatching thread started by Gary Yost on this forum for detailed explanation of what to look for and an example of how to document the issue for BMD support.

Posted: **Mon Nov 14, 2016 1:27 am**

Posted: **Mon Nov 14, 2016 4:58 pm**

Super Moon 2016-11-04 coming soon to a screen near you! Got up at 2am. Managed to start filming the moon over the Pacific at its closest approach to Earth since 1948. It was about 363,323 km away about 4:40am. About 9am now, I'm going to bed.

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Posted: **Mon Nov 14, 2016 5:49 pm**

I want to see those shots Rick. It was overcast here when the moon come up. By midnight it made my yard look like early morning, and I could see the entire yard in all directions. Close moon also = high tides, and the coastal tidal rivers flooded over one of the two highways out of here, that follows the river.
Cheers

Posted: **Tue Nov 15, 2016 1:19 pm**

Denny Smith wrote:I want to see those shots Rick. It was overcast here when the moon come up. By midnight it made my yard look like early morning, and I could see the entire yard in all directions. Close moon also = high tides, and the coastal tidal rivers flooded over one of the two highways out of here, that follows the river.
Cheers

+1
overcast all night in England...typical.

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Posted: **Tue Nov 15, 2016 6:24 pm**

my first attempt at a REEL...

Posted: **Tue Nov 22, 2016 7:44 pm**

Here's a short video including some footage previously seen. Some new stuff. Put this together for an old client who wanted to advertise that Winter is Coming...

The night time footage outside of the bar was shot in -17° F weather. This was all URSA Mini 4.6K EF footage shot in RAW 4:1 and with Rokinon Cinema Lenses.

Posted: **Wed Nov 23, 2016 12:46 am**

For people interested in nightlife and the festival world (and see the lowlight capabilities that comes with it:

Shot this with the 4.6k

Posted: **Wed Nov 23, 2016 4:24 am**

Adam, that's a mighty fine reel. Great eye.

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