Tue Nov 05, 2019 2:59 am
Why? People are filming in 6K with the P6K and 6K/8K on the RED but then deliver in FHD, 2K, 4k UHD, and some 4K DCI. If it is just for reframing or better IQ, it's a waste because you already get that reframing and better IQ with 4.6K and 4K itself. Unless you are delivering > 4K films for 8K display or digital projectors that can playback > 4K without quality loss (which is at the moment rare), personally I don't see the value both in camera cost and storage.
They should try to spend on resources to stabilize and market the P4K/P6K and the UMP G2 to be the de facto cinema camera that producers and DPs will use in big budget features - side-by-side with or as a replacement to the Arri and RED. Then they can dream on an 8K G3 or G4, etc.
URSA Mini Pro 4.6K G2, Blackmagic Design Pocket Cinema Camera 6K, Panasonic GH5
PC Workstation Core I7 64Gb, 2 x AMD R9 390X 8Gb, Blackmagic Design DeckLink 4K Mini Monitor, Windows 10 Pro 64-bit, Resolve Studio 18, BM Micro Panel & Speed Editor