So rather than sitting around cutting myself in angst over the slight delay, or whining to anyone who will listen about crop factors, delivery dates, ergonomics, etc. I’ve been keeping myself busy reworking my DSLR rig for the BMCC and I’m very happy with what I’ve come up with so I thought I’d share it and hope others would share any custom rigging they’ve come up with…
Just some thoughts regarding the rig below, I refer to this as the “Pod”, I had a very similar setup for the 5dMkII and find it’s invaluable on a set. Keep in mind it is designed around a feature film shoot, not documentary work, and not recording audio with the camera.
The idea behind the “Pod” is that by using Manfrotto Quick Releases on all our support equipment, and a Manfrotto plate on the bottom of the cage, I’m able to move the camera from the shoulder rig, to the tripod, to the slider, to the jib crane in less than sixty seconds. I designed this system after the first week of shooting last year and realizing how much time we were wasting moving around cables, arms, follow focus’, etc.
Some thoughts on “cost”…
Because I’ve seen several people complaining about the “rigging cost” of buying such a “stripped down” camera I thought I’d also mention that my cost to go from the 5dMkII to the BMCC wasn’t bad at all, and the costs that I did incur offered an overwhelming hardware advantage.
I sold my Redrock Micro Baseplate, and my LockCircle LockPort on eBay, and got about 75% of what the ViewFactor BMCC Cage cost, so no big deal there. Switching to the three 95w V-Mount Batteries was a bit costly, but again I sold the dozen LP-E6 batteries I had for the Canon and SmallHD monitor and recouped most of the cost and now only have three batteries to charge and deal with, which I’m ecstatic about. And I did need to upgrade to the SmallHD DP6 SDI, which was about $250 more than the standard DP6, but SmallHD products are bomb proof and worth every penny.
All the other parts were used on the DSLR rig and just repurposed for the most part.
Thoughts about some of the components…
The ViewFactor Cage is the only option in my mind, it’s so smooth looking and a rock solid build. There are mounting holes everywhere, and it mounts seamlessly onto the front of the BMCC so it doesn’t add any width to the camera or obstruct the touch screen rear in anyway. And the “rod block” that comes with it is without question the tightest, most sturdy rod block I have ever seen, and I have blocks from at least five different manufacturers laying around.
The Letus Top Handle is amazing, it’s a great carrying handle as pictured, and if I go to the shoulder rig I just loosen the rosette and flip it back so it matches the center of gravity for the longer rig with a counterweight.
The V-Mount Battery plate has a custom made cable that comes out of the power tap and then splits to power the camera and the DP6. The plate itself is velcro’d to the Cage and eventually the side of the BMCC. This allows easy access to the SSD door, and it can also be quickly removed and velcro’d to a cheeseplate on the back of the shoulder rig to aid in balance.
I was inspired by the Zacuto BMCC design and went with the “top rails”, and what a difference it makes. Now all of the adjustment screws for the follow focus are a breeze to get to.
So, I’m sure it’s not for everyone, but thought I’d share, let's see what others have in mind!
Just some thoughts regarding the rig below, I refer to this as the “Pod”, I had a very similar setup for the 5dMkII and find it’s invaluable on a set. Keep in mind it is designed around a feature film shoot, not documentary work, and not recording audio with the camera.
The idea behind the “Pod” is that by using Manfrotto Quick Releases on all our support equipment, and a Manfrotto plate on the bottom of the cage, I’m able to move the camera from the shoulder rig, to the tripod, to the slider, to the jib crane in less than sixty seconds. I designed this system after the first week of shooting last year and realizing how much time we were wasting moving around cables, arms, follow focus’, etc.
Some thoughts on “cost”…
Because I’ve seen several people complaining about the “rigging cost” of buying such a “stripped down” camera I thought I’d also mention that my cost to go from the 5dMkII to the BMCC wasn’t bad at all, and the costs that I did incur offered an overwhelming hardware advantage.
I sold my Redrock Micro Baseplate, and my LockCircle LockPort on eBay, and got about 75% of what the ViewFactor BMCC Cage cost, so no big deal there. Switching to the three 95w V-Mount Batteries was a bit costly, but again I sold the dozen LP-E6 batteries I had for the Canon and SmallHD monitor and recouped most of the cost and now only have three batteries to charge and deal with, which I’m ecstatic about. And I did need to upgrade to the SmallHD DP6 SDI, which was about $250 more than the standard DP6, but SmallHD products are bomb proof and worth every penny.
All the other parts were used on the DSLR rig and just repurposed for the most part.
Thoughts about some of the components…
The ViewFactor Cage is the only option in my mind, it’s so smooth looking and a rock solid build. There are mounting holes everywhere, and it mounts seamlessly onto the front of the BMCC so it doesn’t add any width to the camera or obstruct the touch screen rear in anyway. And the “rod block” that comes with it is without question the tightest, most sturdy rod block I have ever seen, and I have blocks from at least five different manufacturers laying around.
The Letus Top Handle is amazing, it’s a great carrying handle as pictured, and if I go to the shoulder rig I just loosen the rosette and flip it back so it matches the center of gravity for the longer rig with a counterweight.
The V-Mount Battery plate has a custom made cable that comes out of the power tap and then splits to power the camera and the DP6. The plate itself is velcro’d to the Cage and eventually the side of the BMCC. This allows easy access to the SSD door, and it can also be quickly removed and velcro’d to a cheeseplate on the back of the shoulder rig to aid in balance.
I was inspired by the Zacuto BMCC design and went with the “top rails”, and what a difference it makes. Now all of the adjustment screws for the follow focus are a breeze to get to.
So, I’m sure it’s not for everyone, but thought I’d share, let's see what others have in mind!
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Sean Tyler