i do not have any speciffic needs now on short end yet and i have no experience
with cine ones also. my plan is to get "basic" set of lenses starting wide and go up as far as i can.
will look also to cine lenses. they really interest me even the ef ones.
what i will get for long shots is canon 70-200 ver 2 that is now available.
it seems really sharp from the center to out on charts. different question is if
it is needed to be pin sharp for filming. we will see.
I know that it all depends on so many details what you choose and what you want to choose
out of experience. Now i have been more like colorist and time to time as a producer on set
as we do spots but now is time for me to do some cinematography to myself also
i see your point really well to the set to start with and then go and expand.
what do you mean by prime here? EF prime is not the same as cine prime ?
i probably would stick to canon L series now but i will see what i figure out of the
sharpness charts.
what i also consider is to get fastest glass that i can and have variable nd in front of them.
then i could control it by nd or shutting it up as needed to play with focal length
but have possibility to go really open if needed.
at the moment i do not see matte box as good option to start with.
this is why i lean to variable nd. seems more compact also and simpler to implement with ef.
I try to dig a bit and post my findings here to see if it is all silly or going any good direction.
To come back with comparing chart i will then try to make one just that
it would be really simple to visually see what you ma want to have on bmc
and to what it will correspond on regular length numbers. i have not yet seen
something like that here or on web. ok i have not looked yet very long time.
Thank you both for the input!