AF100Central wrote:
I'm not saying your wrong, but I'd like to hear why you think it's so over-the-top? With the latitude and sharpness that the BMCC is capable of delivering, I think a good DP should be able to compete with those two big dogs. I know the Sony is a true 4K camera, from 8K digital, and the EPIC is a digital 5K camera, but considering the limits of the human eye, resolution aside, I wouldn't discount the BMCC from being able to deliver an image that easily competes with the F65 and EPIC in visual quality. Just my two cents...
I can respect what you are saying, and yes, "resolution aside", sure, the BMCC will rock youtube and vimeo all day!
And Im confident it can and will easily take its place in those straight to blu-ray/dvd releases as well. Put
any decent camera in the hands of a good DP, and they will deliver a good result with all other things remaining equal.
But, discounting resolution, at the cost of...what? An image that easily competes..where? The next Spiderman release? Im ready to believe it, but I have to see it first!
Ok...120fps RedOne/Alexa, 300fps Epic,
30fps BMCC. not an issue for some, a HUGE issue for others
Trust me, I dont think the Red family is the be all end all, but their cameras do what they were design to do very well. Do they have their unique set of issues, for sure, however.
Should we even talk about scalability...
A better test would be BMCC against 2k Alexa footage. Both shooting at near 2k, but one having an advantage... no? Would Dion Beebe shoot Gangster Squad on the BMCC? Id love to know the answer to this!
Hey, we've ordered a few of BMCCs and hope to use them to supplement what we use to shoot (for money) with, which includes Red cameras, DSLRs, and everything in between, but honestly the Scarlet is looking like a better proposition everyday.
Im happy either way, the BMCC will make a great supplemental camera for sure.
I look forward to the test!!