Sat Oct 27, 2012 7:35 am
I disagree with the sentiment that we have to just be nice. Sure, some people are hypercritical of odd things, but there is variety in a forum, and most posters are not saints.
If you look at the first promoting video, it showed all of these quick cuts of pro equipment, professional models, a nice set with decent lighting, high end garments, a clear statement of purpose (to evaluate performance on skin tones), using Resolve for grading, pointing out the power of log format capture, emphasis on grading to see what you really have, etc. Then in the results video: massive amounts of equivocating. The result video has a very definite political feel, with no real comparison for us to look at. They were clearly afraid to offend any camera company at all costs. There was plenty of motion blur in most frames. The only way to do something like this and post it online would be to post some quality individual graded frames and/or blow-ups of parts of frames and let us pixel peep and show side-by-side. The main presenter of the results has an official role of 'Therapist', and that is mostly what we got -- some counseling. They ended up saying it was a beauty pageant -- they all looked good. We already knew that. We wanted to see differences, and how subtle they were.
I think that these guys have some excellent footage that might be pretty revealing. They just are not revealing it. For example, suppose you show similar shots side by side (they won't be identical, because I don't believe that they shot with side-by-side cameras), but I hope lighting and acting were fairly repeatable. You could show them at 1080p (the target format for BMCC), then 4K. So shooters who are targeting 1080 for their own releases could see how the BMCC compares at that resolution. Obviously, grading would have to be carefully matched, and careful attention to any sharpening in camera or out would have to be paid. To really see a camera comparison, you are going to have to take the motion out of the deal, because motion blur cancels crucial aspects of the comparison.
Then again, I could be missing something. Maybe they feel bad that the lighting and performance were enough different that the comparisons will not be valid, and in an attempt at fairness, they just smudged over the whole 'shootout'. It was noted that the high end cameras also had better glass -- that is honest.
To be fair, what I am asking for (and what I think most shooters want) can be difficult. In another example (by someone else) of a supposed comparison of F65 and Epic, using detailed stills blown up, the F65 very obviously has more sharpening and more saturation (a different grade), plus a different lens, so that seriously muddies the comparison.
I hope they show us something more definitive and maybe less 'therapeutic'. In all reviews and comparisons, what we don't want is spin and what we want is truth, as best you can present it.
dn
Dennis Nomer