I am lost in labyrinth of color spaces and bit depths

The place for questions about shooting with Blackmagic Cameras.
  • Author
  • Message
Offline

Paul Swan

  • Posts: 109
  • Joined: Wed Sep 16, 2015 10:09 am

I am lost in labyrinth of color spaces and bit depths

PostWed Dec 09, 2015 7:29 pm

Hi. Does anyone know the good article or book or video or any source of usefull information about image bit depth in Videography!
As i understand all the dslrs record 8-bit. The more bitrate of codec - the sharper the image? High bitrate doesn't add any bit depth to image?
Top dslrs can record 10bit file.
Blackmagic raw is 12 bit log? Is it similar to 16 bit linear?
I worked a lot with Sony F5 and i always thought it records 12 bit log files. But our camera engineers use CineAlta raw recorder and today I gather that it can record 16 bit linear file and my brain explodes.
I want to take red pill and to go as far as rabbit hole goes to understand all this Sgamuts Slog, bit depth logs and linears but don't know what to start with.
Thank you. And don't throw tomatoes at me :oops:
Offline
User avatar

Craig Marshall

  • Posts: 949
  • Joined: Sun Apr 07, 2013 4:49 am
  • Location: Blue Mountains, Australia

Re: I am lost in labyrinth of color spaces and bit depths

PostWed Dec 09, 2015 8:52 pm

Yes, the first couple of chapters in Alexis van Hurkman's 'Color Grading Handbook v2' are essential reading for anybody new to video, bit depth & codecs. The rest of the book is an excellent introduction to Color Grading and recent versions include a link to downloadable prores files to experiment with.
4K Post Studio, Freelance Filmmaker, Media Writer
Win10/Lightworks/Resolve 15.1/X-Keys 68 Jog-Shuttle/OxygenTec ProPanel
12G SDI Decklink 4K Pro/Calibrated 10bit IPS SDI Monitor
HDvideo4K.com
Offline

John Simatos

  • Posts: 173
  • Joined: Sat Sep 05, 2015 5:18 pm

Re: I am lost in labyrinth of color spaces and bit depths

PostWed Dec 09, 2015 11:29 pm

Acs cinematographers handbook is a must read too. The newest edition covers digital.


Sent from my iPhone using Tapatalk
Offline

Gene Kochanowsky

  • Posts: 1073
  • Joined: Sun Sep 20, 2015 12:11 am
  • Location: Tallahassee, FL

Re: I am lost in labyrinth of color spaces and bit depths

PostWed Dec 09, 2015 11:48 pm

John Simatos wrote:Acs cinematographers handbook is a must read too. The newest edition covers digital.


Sent from my iPhone using Tapatalk


Is this the book you are referring to?

http://www.amazon.com/American-Cinemato ... y+handbook
Offline

John Simatos

  • Posts: 173
  • Joined: Sat Sep 05, 2015 5:18 pm

Re: I am lost in labyrinth of color spaces and bit depths

PostThu Dec 10, 2015 12:15 am

Gene Kochanowsky wrote:
John Simatos wrote:Acs cinematographers handbook is a must read too. The newest edition covers digital.


Sent from my iPhone using Tapatalk


Is this the book you are referring to?

http://www.amazon.com/American-Cinemato ... y+handbook


Yes sir, you want the tenth edition. You CAN download it.. I'm not saying how or where but it's worth buying.


Sent from my iPhone using Tapatalk
Offline

Gene Kochanowsky

  • Posts: 1073
  • Joined: Sun Sep 20, 2015 12:11 am
  • Location: Tallahassee, FL

Re: I am lost in labyrinth of color spaces and bit depths

PostThu Dec 10, 2015 12:34 am

Thanks John!
Offline

Kyle Gordon

  • Posts: 405
  • Joined: Thu Dec 26, 2013 4:06 am

Re: I am lost in labyrinth of color spaces and bit depths

PostThu Dec 10, 2015 4:10 am

I agree with Craig. The Von Hurkman book is amazing.
Kyle Gordon
Professional Singer/Composer/Producer and Director/Editor/Colorist
Offline

C.A.M. Gerlach

  • Posts: 241
  • Joined: Wed Nov 25, 2015 4:18 am
  • Location: Blacksburg, VA and Washington, DC USA

Re: I am lost in labyrinth of color spaces and bit depths

PostThu Dec 10, 2015 6:33 am

I have heard nothing but good things about that book, and gaining a good foundational understanding of these topics is essential, rather than just bits (NPE) and pieces. However, I will endevour to answer your straightforward questions directly...but I imagine you do and will have many more that the book will help you answer for yourself.
Paul Swan wrote:As i understand all the dslrs record 8-bit.
All of them have the option, yes.
The more bitrate of codec - the sharper the image?
In a very informal sense for any given codec, one could say that. More precisely, lower bitrates lead to less fine detail, reduced microcontrast, greatly reduced gradeability, and a wide array of different artifacts (prominent examples include macroblocking, banding, "mosquito noise," and many others; very codec dependent, but newer codecs like AVC tend to have less visible ones at similar bitrates).
High bitrate doesn't add any bit depth to image?
Not by itself, though the image may still be more gradeable due to retaining more data and showing fewer artifacts under manipulation.
Top dslrs can record 10bit file.
The 1DC is the ony proper DSLR I am aware of that can do that internally.
Blackmagic raw is 12 bit log? Is it similar to 16 bit linear?
In terms of general quality and gradeability, more or less (Arri thinks so at least), and which is good as you can get on any current or announced camera. They do have slight advantages and disadvantages, but for all but the highest end practical use the distinction is mostly academic, but I, others, or likely the book can explain briefly if you're curious.
I worked a lot with Sony F5 and i always thought it records 12 bit log files. But our camera engineers use CineAlta raw recorder and today I gather that it can record 16 bit linear file and my brain explodes.
It can indeed do that if I am not mistaken, now at certain resolutions and bitrates; and in the future with a FW update at pretty much anything up to 4K 60p. It cannot, however, record any form of internal raw from what I've read, nor have I found any information to the effect that it can record 12 bit log raw. I may, of course, be in error particularly given you've had the chance to actually work with the camera.

Good luck!
CAM Gerlach (Christopher A. M. Gerlach)
I am not an expert; take any advice I give with a grain of salt.
Offline

Paul Swan

  • Posts: 109
  • Joined: Wed Sep 16, 2015 10:09 am

Re: I am lost in labyrinth of color spaces and bit depths

PostThu Dec 10, 2015 2:09 pm

Thank you for replies
I think the Color Correction Handbook will be the first paper book i will by in my "life" :) Always used digital
Offline

Gene Kochanowsky

  • Posts: 1073
  • Joined: Sun Sep 20, 2015 12:11 am
  • Location: Tallahassee, FL

Re: I am lost in labyrinth of color spaces and bit depths

PostThu Dec 10, 2015 2:48 pm

It comes on kindle
Offline

Kyle Gordon

  • Posts: 405
  • Joined: Thu Dec 26, 2013 4:06 am

Re: I am lost in labyrinth of color spaces and bit depths

PostThu Dec 10, 2015 5:36 pm

Paul Swan wrote:Thank you for replies
I think the Color Correction Handbook will be the first paper book i will by in my "life" :) Always used digital


Read it SLOWLY. It took me a few months to go through it, because I would read a page or sometimes even a paragraph, and then go "prove" it by making experiments on the computer.

It really is a complete course in the subject if you take it that deliberately.

I literally went from being a complete novice technically to grading and delivering national TV commercials in less than a year because of that book. Amazing.
Kyle Gordon
Professional Singer/Composer/Producer and Director/Editor/Colorist
Offline
User avatar

rick.lang

  • Posts: 17279
  • Joined: Wed Aug 22, 2012 5:41 pm
  • Location: Victoria BC Canada

Re: I am lost in labyrinth of color spaces and bit depths

PostFri Dec 11, 2015 7:29 pm

Gene Kochanowsky wrote:It comes on kindle


Also on Apple iBooks Store. Latest edition November 2013 and comes with downloadable files for the suggested exercises.


Sent from my iPad using Tapatalk
Rick Lang

Return to Cinematography

Who is online

Users browsing this forum: roger.magnusson and 128 guests