Brightsphere1 wrote:Will Resolve 10 take the ProRes 422 4K files from the new 4K production camera? If so, to what level could it be manipulated, considering they won't have DNG for a while after its release?
ProRes is amazing at 10bit 4:2:2. I usually shoot getting it somewhere near what I want the final image to look like, as most people do (aside from exposure - I'm talking color and ratios). I've done stuff with a blue-ish background and a warmer skin tone (that Hollywood Blockbuster look) and I didnt get the right shade of blue on set. So in Resolve, with the ProRes, I was able to shift it to the right shade of blue and shift the skin tones a little bit to get them looking just right.
ProRes is amazing. Raw is a bit better, but I wouldn't be embarrassed or bummed when shooting ProRes. You'll be able to push it around just fine.