Certainly I don't know how BMD will proceed but it may or may not follow this proposal for the in-camera ProRes output.
I assume they are following the CinemaDNG specifications from Adobe that include lossless (BMPCC) and visually lossless compression (BMPC4K). Both compressions are achieved using JPEG compression as in the article you referenced.
Looking at the results, the colour does look superior if the compression is done before the debayer. I don't know the details of Adobe's specifications to know if doing compression first would be permitted. If it is, then that may be approach. for raw output, I assume the camera does the compression of the raw data from the sensor first of course to get the bitrate low enough to write 4K to an SSD and then the decompression and debayer steps could occur within Resolve. Is this how it works?
Rick Lang
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