Theodore Prentice wrote:rick.lang wrote:Do not include lenses that are intended to be used for stills cameras.
Just curious Rick, but why?
My thinking was that it would be an extremely long list of lenses and the list of lenses that couldn't be adapted might be shorter than the potential number of stills lenses that could work. Let's see how this one goes. With my experience being very limited (to my 16mm film Bolex from the forties), I am hoping this thread helps me and others become aware lenses that are most suitable for the production cinema camera. Having read the wisdom of others in a post elsewhere and a blog about what makes a true cinema lens, it is quite an impressive achievement considering many factors that are uniquely important to cinema uses and not required on a stills lens. So it would be interesting to collect those lenses for the benefit of this great community.
But I think even stills lenses that have been repurposed for cinema uses deserve mention too and may be much more affordable to purchase since many cinema lenses will fall into the category of rental lenses for most of us due to their cost.
Rick Lang
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