- Posts: 11
- Joined: Tue Apr 12, 2016 5:33 pm
i have had to do this, and with an identiclal chart, shot with both camera's side by side, once under tungsten and once under daylight...
then twidddled my knobs and slid my balls untill they matched (sorta anway) then made a LUT for offline editors to use
and used the offset grade as a starting point in the final - this was before ACES1.0, RCM, Truelight color spaces... i would take a careful look at what IDT's are on offer in 2016 if i had to take this on now