Thu Jun 16, 2016 7:30 am
I second that, same with the color management. A timeline should be able to coexist within the same project with different color management settings. A P3 project often has a 709 variation etc. Being able to set a timeline to Project or Current Timeline settings (kind of like raw has project, make, camera, or clip setting) would be very time saving and save on mess.
For absolute bosspoints it would be great to have a timeline with the same edit but seperate color versions. I'm often fixing 2 or more timelines (sometimes in separate projects) because they have to live separately.
DaVinci Resolve Studio 17
HP Z640, Mini Panel, Windows 10 Pro x64, 2x Intel E5-26something, 64GB, Mini Monitor 4K, GTX1080Ti