Paul Dore wrote:Excellent work Jean Claude
Are they working on other people's systems as well? .
for the most part, yes, workling very well on my w10 z820
i work almost exclusivly in ACES, there's a few that i find very usefull, matrix, ballance & LGGv2.1 come to mind.
- LGGv2.1 is very similar to how Avid|DS's color page works, wish i could mapp to my Color surface as well as DS does, overhead is minimal, playback of 4k sony in a UHD timeline is RT on my system with this OFX
- Ballance works in manner similar to Baselight's "bal exp", and for me it's vastly better than Resolve's native tool, it's actualy usefull, and again no noticable drag on the system, RT playback in UHD timeline from 4k sources, one area to look at would be the functionality of DS's match, as it will ballance to any target anywhere on the UI, so i would grab a still and use that still to match walls inside a key for example, and make swatches of slightly cooler and warmer stills, use those as the match-to source for a fast way of matching shots with a general look included in the base
-matrix is great, much finer granularity that the native RGB mixer, really usefull now
And a few that do not seem to react well in ACES, softclip clips everything, qualifier also cannot adjust luma, it's like useing ACES in Resolve 3 years ago *shudder*
Well done, there's two of these i will be using today, more tools that i will keep on trying
Many thanks to Paul and Jean Claude!
Sat Jan 07, 2017 5:36 pm
