Hello
With the fairlight capabilities coming in Resolve 14, it seems important, now, to me that importing a timeline should be flawless especially the sound.
I still have an annoying behaviour with the sound when I import my Final Cut Pro X XML. Let me explain thought some tests.
First test :
1 - Import in Final Cut Pro X a AV clip
2 - Make sure Audio configuration of the 2 channels is Stéréo
3 - Append the clip in the Project
4 - Export XML
5 - Import the XML ➧ "Automatically import source clip..." Checked
It's all good to me
Second test :
1 - Import in Final Cut Pro X a AV clip
2 - Make sure Audio configuration of the 2 channels is Dual Mono
3 - Append the clip in the Project
4 - Export XML
5 - Import the XML ➧ "Automatically import source clip..." Checked
Why is there a compound clip instead of the original clip ?
An answer is : the clip's Audio Attributes is still STEREO !!! ➧ So the compound clip appears to be a workaround for bas audio channel configuration.
Third test
1 - Import in Final Cut Pro X a AV clip
2 - Make sure Audio configuration of the 2 channels is Dual Mono
3 - Append the clip in the Project
4 - Export XML
5 - Import in Resolve the same AV clip
6 - Change the clip's Audio Attributs in Dual Mono
7 - Import the XML ➧ "Automatically import source clip..." Unchecked
Same result as the second test
How Resolve seems to work :
- doesn't care about audio configuration of the source clip from the xml: every source clip with 2 audio channels is considered as Stereo ➧ Compound Clip is created to avoid conflict
- doesn't care about the audio configuration of the clip in the Media Pool.
For me it's very poor mechanism ...
Any ideas, suggestions ?
Thanks
With the fairlight capabilities coming in Resolve 14, it seems important, now, to me that importing a timeline should be flawless especially the sound.
I still have an annoying behaviour with the sound when I import my Final Cut Pro X XML. Let me explain thought some tests.
First test :
1 - Import in Final Cut Pro X a AV clip
2 - Make sure Audio configuration of the 2 channels is Stéréo
3 - Append the clip in the Project
4 - Export XML
5 - Import the XML ➧ "Automatically import source clip..." Checked
- No extra Clip in the media Pool
- stereo_mediapool.png (13.23 KiB) Viewed 2394 times
- Perfect Timeline with A/V linked Clip
- sereo_timeline.png (26.12 KiB) Viewed 2394 times
It's all good to me
Second test :
1 - Import in Final Cut Pro X a AV clip
2 - Make sure Audio configuration of the 2 channels is Dual Mono
3 - Append the clip in the Project
4 - Export XML
5 - Import the XML ➧ "Automatically import source clip..." Checked
- A new eponym compound clip appears
- dualmono_mediapool.png (34.79 KiB) Viewed 2394 times
- Audio track configuration is good
- dualmono_timeline.png (23.59 KiB) Viewed 2394 times
Why is there a compound clip instead of the original clip ?
An answer is : the clip's Audio Attributes is still STEREO !!! ➧ So the compound clip appears to be a workaround for bas audio channel configuration.
Third test
1 - Import in Final Cut Pro X a AV clip
2 - Make sure Audio configuration of the 2 channels is Dual Mono
3 - Append the clip in the Project
4 - Export XML
5 - Import in Resolve the same AV clip
6 - Change the clip's Audio Attributs in Dual Mono
7 - Import the XML ➧ "Automatically import source clip..." Unchecked
Same result as the second test
How Resolve seems to work :
- doesn't care about audio configuration of the source clip from the xml: every source clip with 2 audio channels is considered as Stereo ➧ Compound Clip is created to avoid conflict
- doesn't care about the audio configuration of the clip in the Media Pool.
For me it's very poor mechanism ...
Any ideas, suggestions ?
Thanks
Resolve Studio 18.6.x & Fusion Studio 18.6.x | MacOS 13.6.x | GUI : 3840 x 2160 | Ntw : 10Gb/s
MacbookPro M2 Max
MacbookPro M2 Max