peterjackson wrote:Well, render out in DNx, Cineform, or lossless and use FFMPEG.
For me, I don't want Resolve devs to support more codecs, just frame serving to FFMPEG. Then everyone not happy with the choice of output codecs can use FFMPEG to encode to whatever they need without large intermediates.
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So, FFMPEG - is a very good idea, if it is built into the DV.
But AAF in one file with metadata and accurate sync - it is that thing, what need in first time.
Because Fairlight not ProTools yet. And sound edit in it not simple and clear. Because it is developed by sound engineers for sound production exactly, not for broadcast or film production.