Hi Jim
Agreed, I think normalizing isn't much use to meet a specified window for broadcast or other prescribed
loudness goals. Are you mixing for something like the
CALM Act?If so, the peak levels are a part of it. A good limiter would be more useful to get the audio mix density /
loudness levels where you need them. Normalizing has always meant find the peak in entire segment or mix, and then set it to whatever level you want. Yet that may not get the
loudness in the range you want, especially if you have a couple segments that have a strong peak, but the rest is much lower.
If you want to adjust for a
loudness target, a good limiter helps shape the density of the mix. Are there really quiet parts that are bringing down the overall
loudness? Is the music or voice too dynamic causing the
loudness to be out of whack? Controlling individual tracks with some compression/limiting and/or the overall mix
loudness with the same can be a better way to get the
loudness where you want, while still keeping the overall peak inside the delivery range.
Fairlight has a decent sounding limiter. I prefer one that has an input drive and a output ceiling for ease of adjustment to meet some
loudness levels. Some other great limiter plugins that I use in projects:
Voxengo Elephant
http://www.voxengo.com/product/elephant/Sonnox Limiter
https://www.uaudio.com/uad-plugins/mastering/sonnox-oxford-limiter-v2.html (the Sonnox link takes you to a UAD site for some hardware specific tools...Sonnox also has a VST version if my memory serves right.)
Side note: too much limiting sounds horrible, like much of today's music that is full of clipping and distortion. Aim for 1-3 db overall limiting max in most cases.
If anyone wants to read a bunch more about
loudness levels / limiters, 5.1 vs stereo mix, etc., here's a nice thread from years ago:
https://www.gearslutz.com/board/post-pr ... m-act.htmlHope that helps. Sean