@Tom.
Thanks for the clarification.. I build my OBV 12G 4K on purpose..
First of all because of the 12G broadcast 4K mixer. (going into 4K 50P ) ( i dont have a sony or GV that runs Quad 3G)
But second because i like the 12G standard and what BMD did with it..
Sure 12G is not widely adopted yet.. 4K is not widely adopted yet.. Why would you spend all the bucks on 4K then..
Well because my clients are festivals, concerts etc.. The aftermovie crew shoots all RED with 4K and up..
More and more clients ask for the registration in 4K too..
In the past we did 3G live registration on FS7 with 4K Iso inside the camera.
So the client could use 4K images but the registration was 1080P50 for youtube..
Rendering 1 hour live sets in 4K from all iso's and a EDL file is a nightmare.. So the "easiest" way is to go full 4K into the OBV.. Mix it and have 4K live sets right away..
Yes i know who is watching in 4K.. But if a client want 4K we can deliver..
The only thing that was missing was a 12G 4K fiber backend between camera and OBV.. But i seem to have solved that problem since this month too.. I hope to have my 12G fiber backends prototypes ready in a month.. (with intercom, Tally and Shading
)
The 12G fiber tranceivers are in testing now and do very well on the work bench.. Almost ready to hit Field testing