Tue Mar 14, 2017 8:13 pm
Blackmagic Design announced today that 2017 South By Southwest (SXSW) debut film “Flesh and Blood” was shot with several of Blackmagic Design’s digital film cameras, including URSA Mini 4.6K, Production Camera 4K and Pocket Cinema Camera, by DP Patrice Lucien Cochet. Producer and Post Production Supervisor Dustin Hughes also used Blackmagic Design’s professional editing, color grading and finishing solution DaVinci Resolve Studio to color grade the film, as well as Fusion for visual effects (VFX) work.
“Flesh and Blood” is acclaimed indie director/actor Mark Webber’s latest feature that blurs the lines between fiction and reality as it explores family dynamics using Webber’s real family as the cast and real life situations as the backdrop for the story. It was filmed on location in March 2016 in Webber’s hometown of Philadelphia, PA.
“What made this such a unique project to work on was the shooting style of reality cinema that uses elements from both documentary and narrative filmmaking to tell a story. Almost the entire cast were non-actors taking on roles that mirrored their real lives,” explained Hughes. “There’s a vulnerability in these kinds of performances that gets lost if you bring in a large crew and a ton of equipment. A lot of the film is based in truth, and we had to let scenes to play out as they naturally would which meant we had to trust in our cameras and our operating skills to get the necessary coverage on the first take.”
For more information, please visit: https://www.blackmagicdesign.com/media/ ... 0170313-02
“Flesh and Blood” is acclaimed indie director/actor Mark Webber’s latest feature that blurs the lines between fiction and reality as it explores family dynamics using Webber’s real family as the cast and real life situations as the backdrop for the story. It was filmed on location in March 2016 in Webber’s hometown of Philadelphia, PA.
“What made this such a unique project to work on was the shooting style of reality cinema that uses elements from both documentary and narrative filmmaking to tell a story. Almost the entire cast were non-actors taking on roles that mirrored their real lives,” explained Hughes. “There’s a vulnerability in these kinds of performances that gets lost if you bring in a large crew and a ton of equipment. A lot of the film is based in truth, and we had to let scenes to play out as they naturally would which meant we had to trust in our cameras and our operating skills to get the necessary coverage on the first take.”
For more information, please visit: https://www.blackmagicdesign.com/media/ ... 0170313-02