Jamie LeJeune wrote:Robert Niessner wrote:
I've salvaged shots using the same technique.
However, I wouldn't call this a solution to use before starting. Try a different combo of lens and distance to your subject. Also, recording in ProRes rather than raw can reduce the chances moire will appear.
hey, thanks for the tips, unfortunately moving the camera isn't an option, we have many many products (potentially thousands) that need filmed according to strict standards for consistency, and we have tested every codec at every resolution available and the result is the same.
we have tried every EF mount lens we have here, at various apertures, the result is the effectively the same.
we have ordered a PL mount for the camera and will try some zeiss glass we have, but I suspect it will not change the situation.
it seems as though the camera is not usable if you want textiles in your work, unless your willing to position the camera per the need to reduce moire rather than per creative or technical requirements.
we will continue testing on other textiles, but, we will likely test a red with interchangeable OLPF, alexa SXT, and alexa mini as replacements.