Dan Keeble wrote:We're gonna need bigger pockets.
Interestingly, that looks MFT (or Fujifilm X), the three recesses being in a "vertical" Y shape, as opposed to 30° rotated Y, like Canon EF and Nikon F, or upside-down Y like Sony E. And if MFT, there seems to be a Super 16mm sensor inside.
Now the Pocket/Micro Cinema's Fairchild CIS 1910 achieves its dynamic range with a 6.5 µm pixel pitch (basically what would have been a Super 35 sized 4K sensor, cropped to 2K), and 1.2 e- readout noise (modern Sony STARVIS is ~ 0.8 e- at high gain). Now the mystery is, how do you make a 4K Super 16mm sensor, with 1/4 the pixel size and full well capacity, and say 50% better SNR, not still 1.5/4 ~ -1.4 stops lower in dynamic range? Does this camera/sensor combine multiple EV (spatially, like Fujifilm SuperCCD SR, or temporally, like RED HDRx)?