- Posts: 37
- Joined: Thu Sep 06, 2012 11:28 am
Apart from the suggestion in the header, here are some more.
Suggestion 2:
Do the same for Avid as your competition:
http://www.filmlight.ltd.uk/store/press ... -for-avid/
I'd love to see resolve deeply integrated in Avid, as well.
Please keep in mind, that in Symphony you can choose to apply colour corrections to tapes,
scr segment, prg track, etc. then update the entire timeline to automatically apply the same
correction to the relevant segments.
Deep integration of resolve into avid would mean exactly that, plus a second "colour correction mode" - button in the timeline, thus allowing the creation of a workspace in Avid for resolve.
Since Avid features flavors of 4:4:4 DnxHD and uncompressed 10bit Video, "resolve integration" could add serious production value, but w/o the cost or delay of round-tripping, and applying last minute editoral changes.
Keep in mind that AVX Plugins like BCC could co-exist with resolve grades in the same timeline.
The next logical step, this would be a real gamechanger, is to enable the avid "resolve effect"
to connect back to the RAW Camera Files.
Suggestion 2,5:
Make Resolve run on Avid DX Breakout Hardware.
Let's face it, we won't sell our boss on investing into BMD Hardware if we already got Avid DX.
But if its only a free software install, we might soon see resolve on our seats.
(Don't forget the ISIS support on both suggestions)
Suggestion 2:
Do the same for Avid as your competition:
http://www.filmlight.ltd.uk/store/press ... -for-avid/
I'd love to see resolve deeply integrated in Avid, as well.
Please keep in mind, that in Symphony you can choose to apply colour corrections to tapes,
scr segment, prg track, etc. then update the entire timeline to automatically apply the same
correction to the relevant segments.
Deep integration of resolve into avid would mean exactly that, plus a second "colour correction mode" - button in the timeline, thus allowing the creation of a workspace in Avid for resolve.
Since Avid features flavors of 4:4:4 DnxHD and uncompressed 10bit Video, "resolve integration" could add serious production value, but w/o the cost or delay of round-tripping, and applying last minute editoral changes.
Keep in mind that AVX Plugins like BCC could co-exist with resolve grades in the same timeline.
The next logical step, this would be a real gamechanger, is to enable the avid "resolve effect"
to connect back to the RAW Camera Files.
Suggestion 2,5:
Make Resolve run on Avid DX Breakout Hardware.
Let's face it, we won't sell our boss on investing into BMD Hardware if we already got Avid DX.
But if its only a free software install, we might soon see resolve on our seats.
(Don't forget the ISIS support on both suggestions)