patrickwilson wrote:I work in Ecommerce, we have a standardised LUT we put over the top of the our videos. It puts saturation back into the image, skintone, clothing etc.
I think this is a very bad idea. You would be much better off actually hiring a colorist to solve these problems shot-by-shot, scene-by-scene, and day-by-day. Shooting conditions always change: exposure, lenses, lighting, color temperature, all kinds of stuff. A LUT is not the answer for these problems.
Don't put your faith in LUTs. Put your faith in tools like Resolve, plus scopes and a great monitor you can believe in. This would be as hopeless as having a black box that adjusted the level for (say) a male singer, and then thinking it would work for a female singer, or a child, or a person speaking, or a person yelling, or an opera singer, or a rock & roll singer. Each one of those requires a different approach: different EQ, different compression, sometimes a different microphone.
Or as an old mentor told me many years ago:
that's why the knobs move.