Gavin_c_clark wrote:Yes that’s what I’ve been using so far. Was just interested to see if it also did the same trick through the xlr. Although I think they are on different circuits so not likely but always worth trying
You can record LTC code on the audio track (think fax machine) and Resolve can read this as AUX or as a secondary tc. (So can AVID)
From Page 281 of the Resolve Manual
"Select this clip, or clips, in the media pool, then right-click on one of the highlighted clips and select “Update timecode from audio - LTC.” DaVinci Resolve automatically and instantly updates the clip timecode using the LTC it finds on the audio tracks. You can now use the clips as though they were synced on set."
Or you can feed LTC or ASCII TC through the mini jack in and it will continuously re-jam the internal clock for as long as it's connected. This would always be the preferred way and I've always found that it's the most accurate when you leave the clocks connected (on all camera systems)
JB