darrylcalvert wrote:Dermot Shane wrote:an experinced artist should be able to get to a reasonable match quickly
So you do not know how then? clearly you are just attention seeking because you offer NO HELP..... Rube.
kinda funny really... but no, my name is not Rube.... and yea i do have a clue how to match camera's
i'd think starting by watch Baselight's excelent tutorials on the subject would be a decent place to begin as the concepts and ideas are also valid in Resolve, although the names of tools are diffrent;
https://www.filmlight.ltd.uk/products/t ... iew_tl.phpThis video covers two topics: traditional grading workflows, and the challenges faced with modern digital image acquisition and digital colour reproduction.
So that we can view modern workflows in the right context, Daniele Siragusano first describes the behaviour and limits of different traditional workflows when grading an image. He then goes on to explain the new challenges we face when mixing different cameras and different display technologies, so that we can understand how modern colour management concepts - like ACES and Truelight Colour Spaces - can provide an answer.
ACES is your friend on this file, as is a reasonable amount of seat time gradeing, haveing access to Baselight makes matching faster in my hands for sure, but i've got some worthwhile resualts in Resolve as well