Onallem wrote:- About ISO, isnt'it better to shoot at 100 than 1000 ?
If you are shooting BRAW the ISO setting in a gain stage (100-1000 and 1250-6400) doesn't matter at all, you can change that later in post without loss.
If you are shooting ProRes the ISO settings have a bit more impact, because of the gamma curve.
I wanted to make you aware of that you cannot use ISO for exposure control in the same way like you would be used on DSLRs.
With ProRes I tend to set my ISO at a value where it looks nice on screen. Usually that would be ISO400 for normal conditions, in bright sunlight I might prefer ISO200 and ND for stronger colors. In less bright situations I'll tend to use ISO800 and for low light - well any ISO that fits my needs.
Make yourself aware of the false color mode the camera offers. With this it is very easy to nail skin exposure. Try to expose scenes consistent - makes your live in the editing easier.
Onallem wrote:- I ordered a VND filter.
Be careful - the camera has a weak infrared filter built-in so if you are using a standard ND filter it will let infrared light through which will alter your image reddish - the stronger the ND, the more it will shift colors. Black cloth might appear darkred or magenta.
So you need either an IR filter, too. Or a combined IR+ND filter which is called IRND.
Onallem wrote:I saw in another topic that you have a 14-35 2.0 Zuiko lens. I bought a used one but have 2 issues :
- autofocus doesn't work : it sticks on infinite when I switch it on
- this lens isn't parfocal at f2.0
I don't really need autofocus, but it's boring to have to focus again when zooming during an interview.
Do you have same issues ?
Sorry, I don't have that lens. I have the Olympus Zuiko Pro 12-100mm f/4.0, the 7-14 f/2.8 and the Panasonic 12-35 f/2.8.