- Posts: 2
- Joined: Tue Dec 24, 2019 12:10 pm
- Real Name: Andrew Morgan
I'm always amazed how much people overthink this stuff. Stop worrying about 0-1023.
Just leave all the Resolve settings in default -- DaVinci YRGB, Rec709, 2.4 gamma -- and work entirely in Video mode. This is what you want for a standard broadcast/cable/streaming deliverable show.
Resolve will automatically scale (not compress per se) the bits for whatever ultimate format and bit-depth you're going to. If you're worried about it, include a second or so of SMPTE color bars in the "leader" prior to the show, like before the slate (assuming you do a slate), and check the slate on scopes. Worst case, upload it to YouTube or Vimeo and see how it looks.
I look on the waveform monitor in old-school terms, with "0" at the bottom and "100" at the top. If the signal still goes from 0 to 100 and nothing is clipped or crushed, and the color is in the right place, all is well. If it's screwed up, you'll be able to tell when you compare the render to the original.