Mon Mar 03, 2025 3:43 pm
Few films in recent memory have captured the imagination quite like Brady Corbet’s “The Brutalist.” With ten Academy Award® nominations and multiple BAFTA nods, including Best Cinematography and Best Production Design, the film stands as a testament to collaborative filmmaking, defined by the partnership between director Corbet, cinematographer Lol Crawley, and colorist Máté Ternyik.
DaVinci Resolve Studio was central to the film’s picture pipeline, from dailies color through to the final DI grade. Ternyik’s involvement began with dailies color, but it quickly became apparent to both Corbet and Crawley that his understanding of their vision extended beyond technical execution.
“I was initially just there for dailies,” Ternyik recalled. “But from the first camera tests, we realized we spoke the same visual language. Brady and Lol already had a world in mind, and I was helping to shape it from the ground up.”
For more information, please visit: https://www.blackmagicdesign.com/media/ ... 0250228-02
DaVinci Resolve Studio was central to the film’s picture pipeline, from dailies color through to the final DI grade. Ternyik’s involvement began with dailies color, but it quickly became apparent to both Corbet and Crawley that his understanding of their vision extended beyond technical execution.
“I was initially just there for dailies,” Ternyik recalled. “But from the first camera tests, we realized we spoke the same visual language. Brady and Lol already had a world in mind, and I was helping to shape it from the ground up.”
For more information, please visit: https://www.blackmagicdesign.com/media/ ... 0250228-02