Fri Jun 09, 2023 4:25 pm
Blackmagic Design today announced that Immersive Music/Media Group (Immersive MMG), an audio and video production facility based in Lancaster, PA, is using DaVinci Resolve Studio’s Fairlight audio post production tools and a 5 bay Fairlight Advanced Console for mixing and mastering for its musician and post production clientele alike.
“From Grammy nominated producers to audio engineers to instrumentalists, Fairlight has met the demands of our spatial workflow and supported our music clientele since we implemented it in 2020,” said Doug Greer, founder of Immersive MMG.
According to Immersive MMG Creative Director Ken Mertz, “It’s important for us to work with clients inhouse, remotely, or a combination of both. For example, we were approached by engineer, songwriter and Grammy nominated producer Matthew Shell, who was interested in creating Dolby Atmos versions of several of his own projects. Although he was on a tight schedule, he still wanted a hands on approach to the mixing of his compositions. He sent us his stems ahead of time, and from there, we loaded them into Fairlight and set up Atmos mixes inhouse. He came to our studio and was able to make the final adjustments to five songs and return home with the rendered files the same day, all thanks to the smooth workflow within Fairlight.”
For more information, please visit: https://www.blackmagicdesign.com/media/ ... 0230609-01
“From Grammy nominated producers to audio engineers to instrumentalists, Fairlight has met the demands of our spatial workflow and supported our music clientele since we implemented it in 2020,” said Doug Greer, founder of Immersive MMG.
According to Immersive MMG Creative Director Ken Mertz, “It’s important for us to work with clients inhouse, remotely, or a combination of both. For example, we were approached by engineer, songwriter and Grammy nominated producer Matthew Shell, who was interested in creating Dolby Atmos versions of several of his own projects. Although he was on a tight schedule, he still wanted a hands on approach to the mixing of his compositions. He sent us his stems ahead of time, and from there, we loaded them into Fairlight and set up Atmos mixes inhouse. He came to our studio and was able to make the final adjustments to five songs and return home with the rendered files the same day, all thanks to the smooth workflow within Fairlight.”
For more information, please visit: https://www.blackmagicdesign.com/media/ ... 0230609-01