Mon May 08, 2023 7:26 pm
Netflix original feature film “Togo” is a fast paced crime thriller written and directed by acclaimed filmmaker Israel Adrián Caetano. It tells the story of Togo, played by actor Diego Alonso, as he lives and works in Montevideo, Uruguay. Working as a car attendant, helping people park cars and giving directions, Togo is forced to protect his livelihood, and his life, when he comes face to face with drug traffickers.
Uruguay based post production houses SKAfilms, Colour Studio and Trailer Films collaborated on the post process, creating efficiencies and streamlining the workflow with an ACES color managed pipeline within DaVinci Resolve Studio editing, color grading, visual effects (VFX) and audio post production software. With SKAfilms, working in conjunction with Trailer Films, responsible for proxy management, mastering and IMF preparation, and Colour Studio responsible for color grading, the three post studios could confidently focus on creativity and their deliverables while being supported by the consistency of the ACES standard. The color managed pipeline eliminated any uncertainty and time consuming troubleshooting from the post workflow, and the teams could easily share materials with DaVinci Resolve Studio.
“With SKAfilms, Trailer Films and Colour Studio working in ACES in Resolve, we could seamlessly exchange DaVinci Resolve project files, which was incredibly useful in streamlining the post process. We could also double check in advance with Colour Studio regarding the color space, HDR settings, and everything Netflix required for making the IMF package properly to their specs and standards. In a matter of seconds, we could ensure we were all on the same page,” explained Agustín Fagetti, IMF packaging editor at SKAfilms.
For more information, please visit: https://www.blackmagicdesign.com/media/ ... 0230508-01
Uruguay based post production houses SKAfilms, Colour Studio and Trailer Films collaborated on the post process, creating efficiencies and streamlining the workflow with an ACES color managed pipeline within DaVinci Resolve Studio editing, color grading, visual effects (VFX) and audio post production software. With SKAfilms, working in conjunction with Trailer Films, responsible for proxy management, mastering and IMF preparation, and Colour Studio responsible for color grading, the three post studios could confidently focus on creativity and their deliverables while being supported by the consistency of the ACES standard. The color managed pipeline eliminated any uncertainty and time consuming troubleshooting from the post workflow, and the teams could easily share materials with DaVinci Resolve Studio.
“With SKAfilms, Trailer Films and Colour Studio working in ACES in Resolve, we could seamlessly exchange DaVinci Resolve project files, which was incredibly useful in streamlining the post process. We could also double check in advance with Colour Studio regarding the color space, HDR settings, and everything Netflix required for making the IMF package properly to their specs and standards. In a matter of seconds, we could ensure we were all on the same page,” explained Agustín Fagetti, IMF packaging editor at SKAfilms.
For more information, please visit: https://www.blackmagicdesign.com/media/ ... 0230508-01