Fri Feb 16, 2024 7:50 pm
In “Welcome to Wrexham,” actors Rob McElhenney and Ryan Reynolds embark on running Wrexham AFC, the third oldest professional football club in the world. The acclaimed docuseries follows their journey from Hollywood to Wales, capturing their experiences in football club ownership and the club's connection with the town.
The series, praised for its storytelling, won five Creative Arts Emmys this year for best unstructured reality program, cinematography, picture editing, directing and sound mixing. Following Wrexham’s pursuit of promotion, series two follows the 2022/23 season through interviews with key crew members, shedding light on the production process and the technologies used to frame this compelling story.
Having served across the entire series, Assistant Camera Operator (AC) Gareth Roberts notes an evolution both on and off the field. “Season two wasn't just about continuing the club's revitalization; it is also a progression in the visual narrative,” explains Roberts.
He adds, “Discussions about enhancing the show's aesthetics began with DP Craig Robert Hastings, Showrunners Bryan Rowland and Josh Drisko and Producer Patrick McGarvey ahead of filming season two. We sought to embrace a more authentic visual approach, stepping away from the more overly lit style of season one.”
For more information, please visit: https://www.blackmagicdesign.com/media/ ... 0240215-02
The series, praised for its storytelling, won five Creative Arts Emmys this year for best unstructured reality program, cinematography, picture editing, directing and sound mixing. Following Wrexham’s pursuit of promotion, series two follows the 2022/23 season through interviews with key crew members, shedding light on the production process and the technologies used to frame this compelling story.
Having served across the entire series, Assistant Camera Operator (AC) Gareth Roberts notes an evolution both on and off the field. “Season two wasn't just about continuing the club's revitalization; it is also a progression in the visual narrative,” explains Roberts.
He adds, “Discussions about enhancing the show's aesthetics began with DP Craig Robert Hastings, Showrunners Bryan Rowland and Josh Drisko and Producer Patrick McGarvey ahead of filming season two. We sought to embrace a more authentic visual approach, stepping away from the more overly lit style of season one.”
For more information, please visit: https://www.blackmagicdesign.com/media/ ... 0240215-02