Mon Aug 05, 2024 1:58 pm
Blackmagic Design today announced that Colorist Keith Jenson of Light Iron, the post production creative services division of the Panavision group, color graded NEON’s film “Babes” using DaVinci Resolve Studio editing, grading, visual effects (VFX) and audio post production software.
From Co writers Ilana Glazer and Josh Rabinowitz, and directed by Pamela Adlon, “Babes” is a hilarious and heartfelt comedy about the bonds of friendship and the messy, unpredictable challenges of adulthood and becoming a parent. “Babes” follows inseparable childhood best friends Eden (Ilana Glazer) and Dawn (Michelle Buteau), having grown up together in NYC and now firmly in different phases of adulthood. When carefree and single Eden decides to have a baby on her own after a one night stand, their friendship faces its greatest challenge. “Babes” delves into the complexities of female friendship with a blend of laughter, tears, and labor pains.
Jenson’s role as colorist on “Babes” was a case of good first impressions and opportunity. “The cinematographer, Jeff Kim, came in one evening during pre production to make some adjustments to some LUTs so he could determine which LUT he was going to utilize on set,” said Jenson. “I sat with him and we got along well, so when it came time to do the DI I was a natural fit!”
For more information, please visit: https://www.blackmagicdesign.com/media/ ... 0240725-02
From Co writers Ilana Glazer and Josh Rabinowitz, and directed by Pamela Adlon, “Babes” is a hilarious and heartfelt comedy about the bonds of friendship and the messy, unpredictable challenges of adulthood and becoming a parent. “Babes” follows inseparable childhood best friends Eden (Ilana Glazer) and Dawn (Michelle Buteau), having grown up together in NYC and now firmly in different phases of adulthood. When carefree and single Eden decides to have a baby on her own after a one night stand, their friendship faces its greatest challenge. “Babes” delves into the complexities of female friendship with a blend of laughter, tears, and labor pains.
Jenson’s role as colorist on “Babes” was a case of good first impressions and opportunity. “The cinematographer, Jeff Kim, came in one evening during pre production to make some adjustments to some LUTs so he could determine which LUT he was going to utilize on set,” said Jenson. “I sat with him and we got along well, so when it came time to do the DI I was a natural fit!”
For more information, please visit: https://www.blackmagicdesign.com/media/ ... 0240725-02