Thu Aug 21, 2014 1:50 pm
Blackmagic Design today announced that the music visualizer for Owl City’s newest track, “Wolf Bite,” was shot on the Blackmagic Cinema Camera (EF) and color graded on DaVinci Resolve 11. The video is one of the first projects in the world to be finished on the newest version of DaVinci Resolve.
Following hits like “Fireflies,” “Vanilla Twilight,” and the Carly Rae Jepsen duet, “Good Time,” Owl City’s latest track, “Wolf Bite,” comes from the recently released Ultraviolet EP. The video for “Wolf Bite” features people dressed as wolves riding bikes and dancing throughout the streets around New York City. Shot by Director of Photography Tim Buttner and directed by Andrew William Ralph, the video contains dramatic artistic elements, harsh and low lighting and a number of visual effects.
“When I spoke with Andrew leading up to the video shoot, we talked about the look being pretty artistic and open, considering he was going to do some stylized animations over it,” said Tim. “The first thing he asked was for me to shoot the moon; however, the full moon had just passed. Luckily, I had shot the full moon over the winter in RAW at 24fps on my Blackmagic Cinema Camera for my own purposes. This gave us a great shot of the moon to start with and set the frame rate for the project.”
For more information, please visit: http://www.blackmagicdesign.com/press/p ... seID=61619.
Following hits like “Fireflies,” “Vanilla Twilight,” and the Carly Rae Jepsen duet, “Good Time,” Owl City’s latest track, “Wolf Bite,” comes from the recently released Ultraviolet EP. The video for “Wolf Bite” features people dressed as wolves riding bikes and dancing throughout the streets around New York City. Shot by Director of Photography Tim Buttner and directed by Andrew William Ralph, the video contains dramatic artistic elements, harsh and low lighting and a number of visual effects.
“When I spoke with Andrew leading up to the video shoot, we talked about the look being pretty artistic and open, considering he was going to do some stylized animations over it,” said Tim. “The first thing he asked was for me to shoot the moon; however, the full moon had just passed. Luckily, I had shot the full moon over the winter in RAW at 24fps on my Blackmagic Cinema Camera for my own purposes. This gave us a great shot of the moon to start with and set the frame rate for the project.”
For more information, please visit: http://www.blackmagicdesign.com/press/p ... seID=61619.