Wed Feb 04, 2015 2:42 pm
Blackmagic Design today announced the immediate availability of DaVinci Resolve 11.2, which adds improved CinemaDNG RAW image processing with new soft clipping features, improved round trip workflows with Avid Media Composer 8.3, DNxHR support and more.
DaVinci Resolve 11.2 is available for download now free of charge for all existing DaVinci Resolve customers. DaVinci Resolve 11.2 includes improvements to CinemaDNG RAW image processing that makes working with files shot on Blackmagic digital film cameras look even better than before. Customers can take advantage of new colorspace transform enhancements when decoding RAW files for more realistic Rec. 709 and P3 colorspace images. New soft clip options are now available when converting high dynamic range CinemaDNG RAW images into Rec. 709 colorspace. That means customers will get dramatically better images when moving to reduced color spaces because colors are transformed using new algorithms designed to minimize clipping and provide amazing results.
DaVinci Resolve 11.2 also makes it easier to work with Avid editors because you can now move both high resolution media and sequences back and forth between the two systems. New DNxHR encoding and decoding lets customers work natively and share the same high resolution media files, and improved AAF import and export lets editors and colorists round trip projects with Media Composer 8.3 more accurately and reliably than ever before.
To read more, please visit https://www.blackmagicdesign.com/press/ ... seID=62312
DaVinci Resolve 11.2 is available for download now free of charge for all existing DaVinci Resolve customers. DaVinci Resolve 11.2 includes improvements to CinemaDNG RAW image processing that makes working with files shot on Blackmagic digital film cameras look even better than before. Customers can take advantage of new colorspace transform enhancements when decoding RAW files for more realistic Rec. 709 and P3 colorspace images. New soft clip options are now available when converting high dynamic range CinemaDNG RAW images into Rec. 709 colorspace. That means customers will get dramatically better images when moving to reduced color spaces because colors are transformed using new algorithms designed to minimize clipping and provide amazing results.
DaVinci Resolve 11.2 also makes it easier to work with Avid editors because you can now move both high resolution media and sequences back and forth between the two systems. New DNxHR encoding and decoding lets customers work natively and share the same high resolution media files, and improved AAF import and export lets editors and colorists round trip projects with Media Composer 8.3 more accurately and reliably than ever before.
To read more, please visit https://www.blackmagicdesign.com/press/ ... seID=62312