
Blackmagic Design today announced that grading for Disney’s epic science fiction movie “Tomorrowland” was completed by Company 3’s Stephen Nakamura using DaVinci Resolve. As “Tomorrowland” is the first title to be released in Dolby Vision™, Nakamura also used DaVinci Resolve to create a pass for the new Dolby Vision projection system.
Directed by two-time Oscar® winner Brad Bird (“Ratatouille,” “The Incredibles”) and shot by Oscar-winning DP Claudio Miranda (“Life of Pi”), “Tomorrowland” follows Frank Walker (George Clooney), a former boy genius inventor, and Casey Newton (Britt Robertson), a bright teen bursting with scientific curiosity, as they embark on a danger filled mission to unearth the secrets of an enigmatic place somewhere in time and space that exists in their collective memory as Tomorrowland.
“‘Tomorrowland’ is somewhat brighter and more saturated than real life, but it's not an extreme look, as there are no crushed blacks or clipped highlights,” said Nakamura. “I built a lot of Power Windows in Resolve to very subtly help smooth out the effects. The movie is full of wild, elaborate visual effects, and there are always some enhancements that we can do in the grade when we see everything projected and in context with the other shots.”
To learn more, please visit: https://www.blackmagicdesign.com/press/ ... 0150605-01
Directed by two-time Oscar® winner Brad Bird (“Ratatouille,” “The Incredibles”) and shot by Oscar-winning DP Claudio Miranda (“Life of Pi”), “Tomorrowland” follows Frank Walker (George Clooney), a former boy genius inventor, and Casey Newton (Britt Robertson), a bright teen bursting with scientific curiosity, as they embark on a danger filled mission to unearth the secrets of an enigmatic place somewhere in time and space that exists in their collective memory as Tomorrowland.
“‘Tomorrowland’ is somewhat brighter and more saturated than real life, but it's not an extreme look, as there are no crushed blacks or clipped highlights,” said Nakamura. “I built a lot of Power Windows in Resolve to very subtly help smooth out the effects. The movie is full of wild, elaborate visual effects, and there are always some enhancements that we can do in the grade when we see everything projected and in context with the other shots.”
To learn more, please visit: https://www.blackmagicdesign.com/press/ ... 0150605-01