Ivete Sangalo VR Video Graded with DaVinci Resolve Studio

Blackmagic Design today announced that the new 360 degree virtual reality music video for Latin Grammy Award winning singer/songwriter Ivete Sangalo was graded by O2 Filmes using DaVinci Resolve 12 Studio. Debuted in December 2015, “O Farol” is the first video released by Ivete Sangalo in more than 10 years.
O2 Filmes is the largest production and post production house in Brazil, known for creating a wide range of films, television shows and commercials aired around the world. Using DaVinci Resolve Studio, the color grading tool of choice used on every O2 Filmes production, and under the direction of O2’s post produc-tion general manager Paulo Barcellos, the O2 post team was able to turn around the music video in just two weeks’ time.
“To achieve 360 degrees of video, we shot with four cameras. This translated into a colossal amount of ma-terial, making the post process incredibly slow," Barcellos explained. "Fortunately, we could use DaVinci Resolve Studio’s network rendering feature to divide the footage up onto multiple machines. Without this capability, each frame would have taken about five minutes to render. Resolve sped the process up tre-mendously and enabled us to meet our tight two week deadline.”
To learn more, please visit: https://www.blackmagicdesign.com/press/ ... 0160121-01
O2 Filmes is the largest production and post production house in Brazil, known for creating a wide range of films, television shows and commercials aired around the world. Using DaVinci Resolve Studio, the color grading tool of choice used on every O2 Filmes production, and under the direction of O2’s post produc-tion general manager Paulo Barcellos, the O2 post team was able to turn around the music video in just two weeks’ time.
“To achieve 360 degrees of video, we shot with four cameras. This translated into a colossal amount of ma-terial, making the post process incredibly slow," Barcellos explained. "Fortunately, we could use DaVinci Resolve Studio’s network rendering feature to divide the footage up onto multiple machines. Without this capability, each frame would have taken about five minutes to render. Resolve sped the process up tre-mendously and enabled us to meet our tight two week deadline.”
To learn more, please visit: https://www.blackmagicdesign.com/press/ ... 0160121-01