Mon Jul 29, 2019 1:56 pm
Blackmagic Design today announced that its URSA Mini Pro 4.6K digital film cameras and ATEM 4 M/E Broadcast Studio 4K were used as part of a live production workflow by The LED Shed on the UK and Ireland legs of Westlife’s The Twenty Tour.
Opening at Belfast’s SSE Arena, the UK and Ireland tour has spanned 32 shows in total, with the finale being played out to more than 170,000 fans across two nights in Dublin’s Croke Park.
A multicamera fiber workflow was deployed for acquisition and IMAG relay, with four long lenses front of house (FOH) and one in the pit on a tracking dolly. “It’s unusual to have four cameras FOH,” begins director Tom Levitt. “But this is due to the way the staging of the show was designed. There’s one for each band member that gave us a ‘head and shoulders’ mid shot for a picture in picture on the stage’s 20m x 7.5m LED backdrop.”
For more information, please visit: https://www.blackmagicdesign.com/media/ ... 0190729-01
Opening at Belfast’s SSE Arena, the UK and Ireland tour has spanned 32 shows in total, with the finale being played out to more than 170,000 fans across two nights in Dublin’s Croke Park.
A multicamera fiber workflow was deployed for acquisition and IMAG relay, with four long lenses front of house (FOH) and one in the pit on a tracking dolly. “It’s unusual to have four cameras FOH,” begins director Tom Levitt. “But this is due to the way the staging of the show was designed. There’s one for each band member that gave us a ‘head and shoulders’ mid shot for a picture in picture on the stage’s 20m x 7.5m LED backdrop.”
For more information, please visit: https://www.blackmagicdesign.com/media/ ... 0190729-01