JayJayAudiovisuals wrote:Robert Niessner wrote:Than those LUTs are not useful for you. They have been made for the very first BMCC (Cinema Camera) and the BMPC4k (Production Camera 4k).
If you want a free LUT specially made for the PCC4k (with Color Science Gen 4) then have a look at my LUT LBK-Neutral-Hi-DeSat v10
viewtopic.php?f=2&t=97623
actually I have the BMPC 4k as I stated in the comment before

I don't have one of the newer pocket cams. I own the production camera (4k).
So they should be useful, right?
Is there a chart somewhere where I can see which colour space, picture profile etc. my bmpc 4k uses?
in the manual they say "Color Space to BMD Film and likewise set Gamma to BMD Film", but since the manual mixes the bmcc, bmpc and the bmpcc I don't know which it is related to.
.....
Can I change the colour spaces on my bmpc 4k ? There is a film and a video output. But I want to know what name it has exactly^^
Of course the film is mostly flat (but which flat?) and the video is somehow graded already (but which grade exactly?

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OK, then I misinterpreted which camera you have

Don't use the video gamma with that camera, it will cut off even more highlights of the already lower dynamic range of the Production Camera 4k. It is a technical correct version of rec.709 but has no knee point in the highlights.
Always use film gamma (= log) when recording in ProRes and normalize the log footage in post.
If you shoot in CDNG, then you could use Color Science v4 in Resolve (change from v1 in RAW settings to v4) and you could even apply my LUT LBK-Neutral-Hi-DeSat v10 to it - or maybe LBK-Neutral-Hi-DeSat v5 which has less saturation which might be more adequate for the BMPC4k.