Thunderbolt Capture

Greeting and thanks to Blackmagic Design for setting up these forums!
The tech specs for the Cinema Camera indicate "Thunderbolt port for capture of RAW video and audio," which I would assume means 2.5k RAW. I have received conflicting information that indicates the Thunderbolt port outputs the same format as the SDI port, which is 1920x1080 10-bit 4:2:2.
I am purchasing this camera strictly to convert (or render) the RAW footage to ProRes 4444. Footage subsampled at 4:2:2 does not work well with the chroma keying I'm doing.
Assuming the Thunderbolt capture is indeed RAW and not chroma subsampled to 4:2:2, I'd rather use the Thunderbolt stream and capture it as ProRes 4444 (using Media Express) than work with SSD cards. Does this workflow sound plausible?
The tech specs for the Cinema Camera indicate "Thunderbolt port for capture of RAW video and audio," which I would assume means 2.5k RAW. I have received conflicting information that indicates the Thunderbolt port outputs the same format as the SDI port, which is 1920x1080 10-bit 4:2:2.
I am purchasing this camera strictly to convert (or render) the RAW footage to ProRes 4444. Footage subsampled at 4:2:2 does not work well with the chroma keying I'm doing.
Assuming the Thunderbolt capture is indeed RAW and not chroma subsampled to 4:2:2, I'd rather use the Thunderbolt stream and capture it as ProRes 4444 (using Media Express) than work with SSD cards. Does this workflow sound plausible?