gmf wrote:Robert and Tom: thank you! I was a bit worried as some people on forums said they barely hear their BMC's fan. Maybe their hearing-ability corresponds to my increasing farsightedness.
I hate to ever say anything which comes across as making accusations as to the skill set of anyone on here - but as I am sure many people in the industry know - it is rare to be able to film in a very silent location. There is always the slight background noise of Air Conditioning/ ventilation, on set laptops/computers, even traffic sometimes - and so when recording your sound you need to record it in such a way that your noise floor is as low as possible and your mics are positioned to best record the source as loud as possible.
As long as you do so properly, and your fan is not faulty - I fail to see how the bmcc fan is a problem. For the very odd occasion that mine has been faintly audible - it is very easy to remove via spectral noise reduction.
There is a huge range of skills and abilities on here, as well as experiences and also expectations of the camera. In the shoots I have done so far, including an auditorium (which should be very quiet) filled with omni mics (not great for cutting out unwanted sound) the bmcc was not the loudest thing in the room and not audible on the recordings.
If I turn my bmcc on in a very quiet room, yes I can hear the fan. But then again I can also hear the tick of my watch, traffic a few miles away and sometimes bird song, and yet in this same room I have recorded VO work and music for years.
If someone is finding the fan too loud, and they suspect it is not faulty - I highly recommend investing in better sound equipment or a sound recordist - as you are likely to have bigger problems on shoots you find the fan too loud.
Hope no one takes this as a personal comment, more of a reassurance to those interested in getting a bmcc in the future and are concerned about this.