- Posts: 715
- Joined: Sun Sep 29, 2019 10:14 pm
- Real Name: Galin McMahon
If you want to mimic the blur of a 180 degree shutter angle shooting 60 fps, the you could shoot with a 90 degree shutter angle at 30 fps. But I don’t think that will feel the same as shooting 60 fps.
If you decided to shoot at 60 fps so that the director’s monitor works, you could record with the shutter angle at 360 degrees but in post only use every other frame on a 30 fps timeline. Then your results will look normal and be virtually indistinguishable as if you were shooting 30 fps on the camera.
Absolutely test the entire workflow on your own to be sure you get the result you want in post before you do a production shoot.
I’ve never tried that trick, but I think you would select dual card recording in BRAW with 360 degree shutter angle so that each card received every other frame, ergo each card effectively records at 30 fps with a normal blur. Has someone else verified this works?