There's been a few of these knocking around. I dunno, I think a lot of it depends on your market and how many ACs are around. I do know that when i am shooting, I much prefer having a 1AC-- not only just so they can deal with focus, but also the camera department so I can focus on working with the G/E departments-- overseeing it all. Further-- An AC can anticipate moves where as when you're operating all you can really do is react to them. For me, personally, I would much rather focus on the frame and have that 2nd set of eyes there to know focus, to see how the actor is moving and not having to have their heads buried in an EVF (which may or may not have a lag) ect.
That said, for the price, it's not bad. i would worry a bit about the belt system slipping, and also how you'd interface it with anything but a stills lens- but it's substantially cheaper than other systems. Were I you, however, I'd wait for it to come out into the wild and rent it, and then buy it. It may look great in the video; but that doesn't tell you how much it'll set you back in production trouble shooting, charging, belt slipping ect.