mhood wrote:FTColorist wrote:"...The Blackmagic Production Camera 4K is a perfect companion for ATEM Production 4K switchers and we hope the new low price will help more customers to expand their Ultra HD live production set ups with even more camera angles!”
Kudos everyone! This is the morning you've been w8ing on...I hope the camera is everything you dreamed it would be.
I'm having a hard time visualizing its fit into a live production set up though. No real studio configuration for the 4K, no remote zoom or focus, Clunky white balance settings and no CCU. I sure don't see how you tweak "live" in post. I guess the vision is 4Ks all over the place (without operators) giving you the angles you need for live switching.
Still curious...exciting times.
Cheers, Marc.
On the CCU point, my
guess is BMD will come out with (maybe at NAB 2014?) a new version of their
HD Link with 4K UHD capability, Thunderbolt-2, USB-3, WiFi, and the ability to manipulate/adjust LUTs in realtime via a connected computer/smartphone/tablet, plus talkback and all the other existing HD Link features, for <$1K.
In some situations, Davinci Resolve 10 directly connected to the cam can be used as a CCU-like solution. Live grading ("shading") of cam output is a big feature in Resolve 10.
Lens remote is best handled "live" via a controller directly connected to the lens. LANC typically isn't fine-grained enough, but can be used in a pinch while a camera is on standby.
Exciting times indeed. I think NAB 2014 is going to have a lot of big & small surprises. We'll see …
Cheers.
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