Dune Part Two: Infrared Effect Cinematography

The place for questions about shooting with Blackmagic Cameras.
  • Author
  • Message
Offline
User avatar

timbutt2

  • Posts: 2936
  • Joined: Tue Nov 12, 2013 10:32 am
  • Location: St. Petersburg, Florida, United States of Amercia

Dune Part Two: Infrared Effect Cinematography

PostFri Mar 22, 2024 12:09 am

First off, I feel I can finally write about this because I've seen the movie twice and been blown away both times. Looks incredible in IMAX. But, I wanted to touch upon the Infrared of the Giedi Prime sequences.

In order to keep this to Blackmagic Cameras, I'm curious to know if anyone here has done Infrared shooting with the Blackmagic Cameras?

Ever since seeing Soy Cuba I've been fascinated by infrared cinematography for narrative purposes. And, Dune Part Two emphasized how brilliantly it can be used.

What's your favorite use? Would be great to play with it on some of the BMD cameras.
"I'm well trained in the art of turning **** to gold." - Tim Buttner (timbutt2)

Cameras: URSA Mini Pro G2 & Pocket 6K Pro
Past: UM4.6K, P6K, BMCC 2.5K
Computers: iMac 5K (Mid 2020) & MacBook Pro Retina 15.4in (Mid 2018)
Offline

ShaheedMalik

  • Posts: 765
  • Joined: Wed Aug 19, 2020 5:28 am
  • Real Name: Shaheed Malik

Re: Dune Part Two: Infrared Effect Cinematography

PostFri Mar 22, 2024 1:43 am

I was thinking about buying a infrared filter.
Offline
User avatar

Uli Plank

  • Posts: 21809
  • Joined: Fri Feb 08, 2013 2:48 am
  • Location: Germany and Indonesia

Re: Dune Part Two: Infrared Effect Cinematography

PostFri Mar 22, 2024 3:16 am

I have used it with the original BMPCC, which had very weak infrared filtering. Of course, you'll need a filter blocking visible light and letting through IR. In strong daylight it worked pretty well.
While such film stock was initially made for the military and difficult to get or expensive, it's easy with silicon. CMOS sensors are more sensitive to longer wavelength than shorter ones, that's why OLPFs are usually combined with an IR-blocking filter. With film it was the other way around, it was more sensitive to short wavelengths, that's why there were filters like skylight or such, blocking UV.

There used to be a Red, err Nikon, camera without IR filtering in B&W. I'll check if I find one of our images.
Found it, here you go:
IR_SW Kopie.jpg
IR_SW Kopie.jpg (347.12 KiB) Viewed 524 times
Now that the cat #19 is out of the bag, test it as much as you can and use the subforum.

Studio 18.6.6, MacOS 13.6.6, 2017 iMac, 32 GB, Radeon Pro 580
MacBook M1 Pro, 16 GPU cores, 32 GB RAM and iPhone 15 Pro
Speed Editor, UltraStudio Monitor 3G
Offline
User avatar

Jeffrey D Mathias

  • Posts: 434
  • Joined: Fri Apr 28, 2017 3:54 pm

Re: Dune Part Two: Infrared Effect Cinematography

PostFri Mar 22, 2024 12:27 pm

With an URSA I would suggest no OLPF or ND filters as these may block the IR. And yes do use a filter similar to a Hoya R72 Infrared Filter.
AMD Threadripper 1950x 16-core 3.4 GHz
96 GB Crucial DDR4 2666 ECC UDIMM RAM
AsRock Fatal1ty x399 motherboard
AMD Radeon Pro WX 8200 GPU
Windows 10 Pro 64-bit version 22H2, build 19045.3208
DeckLink 4K Extreme 12G
iPad Pro M2

Return to Cinematography

Who is online

Users browsing this forum: No registered users and 143 guests