adamroberts wrote:How are you processing your RAW files? What's the workflow?
I always import my RAW files as sequence into After Effects, after making some adjustments in Camera Raw.
Sharpening is set to 10, only minor color correction is made, as I like to grade the footage inside AE.
Davinci Resolve doesn´t make any difference in terms of moiré.
My lens is a Sigma 18-35, boosted by the Metabones BMPCC adapter, tamed by a Heliopan Vario ND which is protected by a Haida UV/IR cut filter. I didn´t try shooting outside without the ND filter, but I don´t suspect the filter to cause or amplify any artifacts.
I know, softening the image (defocussing while shooting) can help, but soft vegetation doesn´t look good on the screen. Trees look like green cotton wool then. On the downside, keeping everything nice and sharp makes them look like Christmas trees, thanks to the absence of a proper OLPF.
As the famous image below shows a similar amount of blue and purple blotches, I guess my BMPCC behaves just like any other BM camera. I didn´t notice how overwhelming aliasing and moiré can be on this camera, until I went into the deep forest to capture some untouched nature.