Page 1 of 1

PYXIS 6K | Test Footage | Open Gate 3:2

PostPosted: Wed Oct 02, 2024 12:56 pm
by Florent Piovesan
Hey everyone,

Here are a few frames from a test shoot with new Pyxis 6K.
Link:


There is a mix of harsh light as well as overcast scenes, and I filmed faces, landscapes but also close ups/textures.

This was still a test shoot so I also filmed in a way that I sometimes wouldn’t (ie pointing directly at the sun, or shooting wide open a lot)

Most of the footage is shot handheld, with a couple of tripod shots.
Filmed in Open Gate, 12:1, at 23.98.

(All the gear used is linked in the video description)

Let me know what you think and if you have any questions :)


Cheers,
Flo

Re: PYXIS 6K | Test Footage | Open Gate 3:2

PostPosted: Wed Oct 02, 2024 1:03 pm
by timbutt2
Looks great. Camera really does make me think that it is an URSA Micro.

Re: PYXIS 6K | Test Footage | Open Gate 3:2

PostPosted: Wed Oct 02, 2024 4:02 pm
by Michel Rabe
What I keep noticing in almost all BMCC 6K and now Pyxis footage is the rather harsh transition in skin hues from yellowish / neutral to reddish.

Re: PYXIS 6K | Test Footage | Open Gate 3:2

PostPosted: Wed Oct 02, 2024 5:02 pm
by rick.lang
Is there any chance that the colour is shifted a little by using Film Convert?

I don’t have experience with any of those 3rd party LUTs as I always grade primarily adjusting the primaries (three wheels for Rec.709 and sRGB SDR and six wheels for HDR ST2084). I do the HDR deliverable grade first for 1000 nits and then SDR deliverables around 100 nits for diffuse white.

Re: PYXIS 6K | Test Footage | Open Gate 3:2

PostPosted: Wed Oct 02, 2024 5:05 pm
by Florent Piovesan
timbutt2 wrote:Looks great. Camera really does make me think that it is an URSA Micro.


Thank you mate!!

Re: PYXIS 6K | Test Footage | Open Gate 3:2

PostPosted: Wed Oct 02, 2024 5:05 pm
by Florent Piovesan
rick.lang wrote:Is there any chance that the colour is shifted a little by using Film Convert?

I don’t have experience with any of those 3rd party LUTs as I always grade primarily adjusting the primaries (three wheels for Rec.709 and sRGB SDR and six wheels for HDR ST2084). I do the HDR deliverable grade first for 1000 nits and then SDR deliverables around 100 nits for diffuse white.


Yes, totally! Filmconvert is a big part of my workflow :).