
- Posts: 2
- Joined: Sun Jan 12, 2025 11:00 pm
- Real Name: Wolfgang Illmayr
Dear all,
I have just recently updated my BMPCC 6K Pro to the latest firmware 8.6 beta, and now I am encountering a problem that I haven´t been able to solve, and I was wondering if anyone had some advice.
During my first shoot with the new firmware I noticed some problems monitoring my footage on an Atomos Shinobi 5 display - it´s way too contrasty and also too saturated, but not as much as there were two LUTs applied. But it makes it almost impossible to me to judge lighting and colors. It looks fine on the camera display though, but different (better, as if the dynamic range had been improved somehow) from the previous 8.1 firmware.
At first I thought I had a problem with the Shinobi monitor (or applied LUTs twice), but later I noticed that exactly the same is happening in DaVinci Resolve.
I have set the camera to ProRes or RAW recording, with Film Dynamic Range and the "Gen 5 Film to Extended Video" viewing LUT both for the LCD and the HDMI output. "Record LUT to Clip" is turned off. I haven´t done anything with the Shinobi, since it cannot be setup for Blackmagic log profiles, so it just takes the native "extended video" signal.
In Davince Resolve I am using a color managed workflow, set to Film Gen 5 input and REC.709 output. This has always worked fine as a starting point for grading, but now it looks wrong, maybe even as if there was a wrong gamma curve applied (blacks are crushed, too much contrast, too much color contrast and saturation, bright tones are too bright - just like on the Shinobi).
I went back to 8.1 and it looked okay again - but the image I am getting on the camera LCD with 8.6 is much nicer and I was hoping, that I could find a way to get this throughout.
I haven´t found anything about this so far, so maybe I am just making some mistake. Anyway, it would be great, if someone had any advice.
Thank you,
Wolfgang
I have just recently updated my BMPCC 6K Pro to the latest firmware 8.6 beta, and now I am encountering a problem that I haven´t been able to solve, and I was wondering if anyone had some advice.
During my first shoot with the new firmware I noticed some problems monitoring my footage on an Atomos Shinobi 5 display - it´s way too contrasty and also too saturated, but not as much as there were two LUTs applied. But it makes it almost impossible to me to judge lighting and colors. It looks fine on the camera display though, but different (better, as if the dynamic range had been improved somehow) from the previous 8.1 firmware.
At first I thought I had a problem with the Shinobi monitor (or applied LUTs twice), but later I noticed that exactly the same is happening in DaVinci Resolve.
I have set the camera to ProRes or RAW recording, with Film Dynamic Range and the "Gen 5 Film to Extended Video" viewing LUT both for the LCD and the HDMI output. "Record LUT to Clip" is turned off. I haven´t done anything with the Shinobi, since it cannot be setup for Blackmagic log profiles, so it just takes the native "extended video" signal.
In Davince Resolve I am using a color managed workflow, set to Film Gen 5 input and REC.709 output. This has always worked fine as a starting point for grading, but now it looks wrong, maybe even as if there was a wrong gamma curve applied (blacks are crushed, too much contrast, too much color contrast and saturation, bright tones are too bright - just like on the Shinobi).
I went back to 8.1 and it looked okay again - but the image I am getting on the camera LCD with 8.6 is much nicer and I was hoping, that I could find a way to get this throughout.
I haven´t found anything about this so far, so maybe I am just making some mistake. Anyway, it would be great, if someone had any advice.
Thank you,
Wolfgang