- Posts: 104
- Joined: Fri Apr 05, 2013 2:01 pm
lealain wrote:What would be the best way to mix footage of the BMCC with Canons C300 and get the colour/gamma matching.
I use the CinemaLog PP on the C300 and the ProRes 'film' on the BMCC.
Offcourse, I will do some testing, but some tips would help.
Thnx
use resolve and look at your scopes and monitors. It should be fairly easy to intercut between the two in a controlled environment. if anything you may have to blow some of the highlights from the BMCC to match.