INBRO-VIDEO wrote:Does it really matter? Glasses do reflect light in the normal world so it will simply add verisimilitude to your film.
We've advised clients of the same thing in the past.
This is one of those things where if they had really been concerned about it, they would have had to black out everything on set, lit from special angles where the glasses reflections wouldn't be visible, and even gone to the trouble of having everybody on set wear all black (including hoods). I have seen sets that had to do this kind of thing before, and it's neither cheap nor easy.
For somebody being interviewed, I'd say live with it.
Peter Cave wrote:In my 40+ years of media production I learned that clients will only respect you if you give solid advice and don't do all the silly requests they ask for. YOU are the expert... not THEM! That's why they employ you! Clients often worry about really insignificant things. Also tell them how many hours & dollars it will cost and they generally will realise they are being pedantic about silly details that don't matter.
Same thing here. Sometimes, what happens is my client is the filmmaker, and their client is the person on camera, who is extremely insecure and self-aware about really insignificant things. One maddening issue that I've seen come up is
makeup issues, and months after the shoot, now that they're all finished with editing and we're doing final color, suddenly they start seeing blemishes and inconsistent skintones and other problems that could have been solved in 10 minutes with a decent makeup person. Digital makeup is possible, but it's not something I think we can do easily in Resolve.