AMDphreak wrote:I'd like to confidently inform you that this "holdover" is not a feature but a defect. It is confusing and makes users wonder if the program is broken. On top of that, if they do in fact venture to continue to use the program, idiotically ignoring the red flags in their intuition, they have to wonder whether their video is going to render 1 hour of blank video in front of their content. Computers are very literal. When an app tells me my video starts at 1:00:00:00 I am right to assume that it will idiotically make a file with a 1 hour gap of nothing at the beginning.
This is all covered at length in Chapter 36, "Editing Basics, starting on page 695 of the Resolve 19.1 user manual. I strongly advise you to read it.
If you want to know and understand the long history why most broadcast shows start at Hour 1 (or sometimes Hour 10 in the UK), read these books on Workflow:
Modern Post: Workflow & Techniques for Digital Filmmakers"
by Scott Arundale
https://www.amazon.com/Modern-Post-Work ... 0415747023"The Guide to Managing Postproduction for Film, TV, and Digital Distribution"
by Susan Spohr & Barbara Clark
https://www.amazon.com/Guide-Managing-P ... 1138482811It boils down to "tradition," that Hour 1 became the de facto start point for "FFOA" (First Frame of Action, or first frame of program for TV people). Prior to Hour 1, that part of the file is reserved for a 10-second countdown (and 2-pop for sound sync), a show slate (for information about the show, run time, airdate, production company, version, and so on), and then before that, test signals to verify that the file is correct in terms of audio & video levels. A lot of this goes back to the videotape days, but I think it's still reassuring to have the info there just to make sure the system is working correctly and there's no malfunctions.